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THE MONA LISA MYSTERY-
The expression of the “Mona Lisa” is ever inscrutable, but researchers at the Louvre Museum in Paris have figured out one of the secrets of her lovely skin. Specifically, they are reporting how Leonardo da Vinci painted shadows on her face without seeming to use any actual brushstrokes—a technique discussed so extensively that curators have given the shadowing style a name, sfumato, which means smoke in Italian. Although art experts have long known that glaze on top of the paint contributed to sfumato shading, this is the first time scientists have measured the thickness and chemical content of the sfumato glaze brushstrokes. 

A team of scientists led by Philippe Walter, a chemist at the Center for Research & Restoration of the Museums of France, located at the Louvre, used a portable, noninvasive technique called X-ray fluorescence spectroscopy to analyze the faces of seven of da Vinci’s masterpieces, including the “Mona Lisa” -

“This is the first data on the sfumato glazes of da Vinci,” comments Bruno Brunetti, a conservation chemist at the University of Perugia, Italy. “It’s a great demonstration of how to apply a noninvasive technique to studies of artwork that would otherwise never be carried out. Nobody will ever be allowed to take a sample of the ‘Mona Lisa,’” he says. In fact, even doing the X-ray fluorescence required the researchers to wait for the one day per year that Louvre officials permit the “Mona Lisa” to exit her protective case, Walter says. 

Besides the “Mona Lisa,” the Louvre team analyzed other famous da Vinci paintings such as “Saint John the Baptist,” and “Saint Anne, the Virgin and the Child.” In the latter artwork, the team found that da Vinci shadowed different faces in the painting by using glazes containing different inorganic pigments. Da Vinci might have been purposely shadowing faces with different glazes, Walter says. Or the difference could just be the consequence of the artist’s tendency to work on paintings for several decades; da Vinci may have just altered his recipe over the years, Walter notes.

 


    

 

 

 

 

 

 

 

 

 

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